Overdubs with Mike Payne

On March 11th, Nashville studio guitarist Mike Payne started recording overdubs for three songs that we were unable to get to on our trip to Nashville back in early February. This past Monday, he posted the audio files from these sessions for me to download. Over the past week, I’ve been pulling these new guitar parts into Pro Tools, and just finished importing the last of these files last night. I have to say, Mike’s guitar parts have taken these last several songs to a new level! Two of these tunes are the worship song and the love song I’ve mentioned in previous blogs. I can tell Mike really spent his time on these tunes. The harmonies and counter melodies he came up with aren’t just icing on the cake; I believe they are foundational in bringing these songs to life!

Tones and Parts
I have learned quite a bit from working with Mike (I’ve recorded with him twice now – once on February 4th at his home studio, and then again on March 11th over iChat). Not only is he a skilled guitar player; he is extremely adept at choosing guitar tones that work well in the mix and guitar parts that compliment the other instruments. I’ve heard a couple professional engineers comment about “Mike’s (great) tone.” He just knows his amps, pedals, and guitars and knows what it takes to get a certain sound. At one point, I remember saying to him, “This song is partially inspired by The Fray. I don’t want to sound exactly like them, but do you think you could find a guitar tone which might fit this style?” Sure enough he did – and he actually came up with a slightly varied tone that sounded somewhat “Frayish,” but different enough to give my song it’s own sound.

The Skill of Listening
I find that a lot of musicians don’t listen to anyone but themselves when they are playing. It’s good to be aware of what you are playing/singing as a musician, but in a band setting, it’s important to make sure your tones/parts/pitch/etc. are blending well with everyone else. I’ve played with some musicians who are determined to play at all times with as many notes as possible. Often, silence is as much a musical tool as musical notes themselves. Simplicity is also at times more powerful than complexity. Sometimes, silence is used to give a song dynamics (instruments are brought in and out at key song sections) and other times, silence is used to help a melody or counter melody “breathe.” Simplicity can likewise be used to communicate a certain emotion (intimacy or innocence) or to punctuate a more note heavy musical passage.

I think one thing that makes Mike such a good studio musician is the fact that he is a careful listener. While recording overdubs, he actually asked me to turn his guitar down quite a bit in the mix so that he could hear how his parts were blending with the other instruments. He also had me turn the drums up a bit higher than everything else so that he could make sure that his playing was tight. As I go back to listen to his parts, I am amazed at his sense of rhythm. I’ve hardly had to edit any of his parts because about 99% of the time, he is locked to the drums like a leech to a leg. Absolutely amazing.

A Pleased Costumer
In conclusion, I am so thankful that my friend Dave Bechtel introduced me to Mike Payne. It has been awesome to work with him, and I hope we have more opportunities to work together in the future!